Vol. 1 No. 1 (2013): Journal of African Arts and Culture

Articles

• INDIGENOUS ORIGINS OF GHANAIAN HIGHLIFE MUSIC

  Kingsley Ampomah

  71-82

  • PDF

• SAYING IT THE ARTIST’S WAY An Aesthetical Discourse on Selected Works of Art from the Department of Art Education, UEW

  Patrique deGraft-Yankson

  159-169

  • PDF

• NEW TRENDS IN ASAFO MUSIC PERFORMANCE: Modernity Contrasting Traditions

  Emmanuel Obed Acquah

  21-32

  • PDF

• NICODEMUS KOFI BADU, HIS BIOGRAPHY AND EXPLOITS IN THE UTILIZATION OF TRADITIONAL MUSIC ELEMENTS IN CHORAL COMPOSITIONS

  Joshua Alfred Amuah

  101-111

  • PDF

• ART: The Pivot of Ghanaian Festivals

  Agbeyewornu Kofi Kemevor, Frimpong Kaakyire Duku

  53-62

  • PDF

• PRODUCTION OF LOCAL GLAZES–KEY TO DEVELOPING THE CERAMIC INDUSTRY IN GHANA

  Isaac K Oteng

  141-146

  • PDF

• OUR ARTS: Our Wealth and Health

  Osuanyi Quaicoo Essel

  83-92

• INDIGENOUS KNOWLEDGE SYSTEMS: The Use of Indigenous Entertainment Forms for Participatory and Sustainable Development in Rural Communities.

  Samuel Manaseh Yirenkyi

  33-44

  • PDF

• HYBRID DIMENSIONS IN SCULPTURE: A Courtship and Accidental Off-Springs Resulting from the Matrimony of Organic and Inorganic Elements

  Cyril Senyo Kpodo

  113-130

  • PDF

• DANCE AS A CREATIVE LEARNING TOOL

  Happy–Mary Ablordey

  63-70

  • PDF

• VOYAGE OF EXCELLENCE

  Isaac Opoku-Mensah, Osuanyi Quaicoo Essel

  147-157

  • PDF

• AESTHETIC EXPERIENCE OF AFRICAN MUSIC ARTICULATED IN OPME MUSIC OF THE EFFUTU

  Eva Ebeli

  1-20

  • PDF

• CELEBRATING INNOVATORS OF THE TOTAL THEATRE SCENE DESIGN, STAGE ARCHITECTURE AND SPACE

  Ebenezer Henry Brew-Riverson Jr.

  93-99

  • PDF

• INDIGENOUS KNOWLEDGE: Towards the Search for an Authentic Ghanaian Theatre

  Ernest Kwasi Amponsah

  45-51

  • PDF

• DEVELOPMENT OF AUTOMATED DYEING MACHINE (BOAFO) FOR SMALL SCALE DYERS, BATIK, TIE AND DYE IN GHANA.

  Kweku Akrofi Moses Safo-Ankama

  131-139

  • PDF