JOURNAL OF AFRICAN ARTS AND CULTURE

Articles

• AESTHETICS OF THE RAMPAGEOUS BODY: INVESTIGATING BODY IDOLISATION AMONG GHANAIAN YOUTH

  Patrique deGraft-Yankson, Joseph Essuman

  1-14

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• BEYOND VANDALISM: ANALYSING GRAFFITI AS VISUAL COMMUNICATION AND CULTURAL COMMENTARY AT KNUST

  Isaac Essah Adu , Nicholas Opoku, Samuel Osei Sarpong

  15-30

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• ANALYTICAL PRESENTATION OF SAMUEL DOWAANA MENSAH’S “TOONDAN JILMA LANA NAA OSEI TUTU II” (OTUMFUO OSEI TUTU II – A GLORIOUS LEADER)

  Elizabeth Asamoah

  31-42

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• THE INFLUENCE OF SELF-EFFICACY ON CHILDREN’S DRAWING IN GHANA

  Sumaila Issah

  43-52

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• MUSIC, DANCE AND LANGUAGE AS THE PRIMARY ELEMENTS OF FUNERARY RITES FOR CHIEFS: A CASE STUDY OF THE CHIEF OF NEW JUABEN

  Benjamin Amakye-Boateng, Adwoa Arhine, Joshua Alfred Amuah, Kofi Agyekum

  53-70

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• THE LINGUISTIC AND POETIC ANALYSIS OF GA TRADITIONAL MUSIC

  Nii Darku Ofori-Obeng Dodoo

  71-79

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• GENDERED TRAJECTORIES IN GRAPHIC DESIGN AND ANIMATION: REASSESSING THE ROLE AND REPRESENTATION OF WOMEN IN THE CREATIVE INDUSTRY IN GHANA

  Solace Emefa Adzei

  80-89

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• FROM RESISTANCE TO RENEWAL: FRAMING THE NEW GENERATION OF AFRICAN INDIGENOUS LANGUAGE FILMS AS SIXTH CINEMA

  Ramatu Mustapha Dadzie

  90-105

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• ON SUPPRESSION AND COUNTER-ACCUSATIONS: THE VENERATION OF TRADITIONAL GHANAIAN MONUMENTS FROM THE CREATIVE ARTIST'S VIEW

  Noble Nkrumah-Abraham, Ernest Kwasi Amponsah

  106-115

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• “MISE GLI LOO”: ILLUSTRATIONS FROM THE MUSICAL FABLE SELF-SERVING, PREDICATED ON THE MUSICO-DRAMATIC GENRE OF STORYTELLING

  Wisdom Komabu

  116-130

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• MY DANCING REFLECTS YOUR TEACHING: AN AUTOBIOGRAPHICAL EXPLORATION OF AFRICAN DANCE PEDAGOGY

  Kofi Anthonio

  131-141

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• EXPLORING THE INFLUENCES OF INDIGENOUS CULTURAL PRACTICES ON TRADITIONAL NIGERIAN THEATRE DESIGN

  Abdulmalik Adakole Amali, Adebayo John Badeji

  142-152

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• CONTEMPORARY ART SONGS FOR SELECTED GHANAIAN LANGUAGES: COMPOSITION AND ANALYSIS

  Godfred Sackey

  153-201

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• SYMBIOTIC RELATIONSHIP BETWEEN LIVE THEATRE AND THE OTHER MEDIA: A METAPHOR OF THE EPIPHYTE

  Baba Haruna

  202-213

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