Vol. 9 No. 2 (2026): Journal of African Arts and Culture

Articles

• TESTING TEXTILE ACTIVITY BOARDS FOR ATTENTION DEFICIT HYPERACTIVITY DISORDER IN SPECIAL NEEDS BASIC SCHOOL CHILDREN

  Comfort Aba Amissah, Effie Koomson, Emmanuel Kodwo Amissah, Edward Baani Buxton

  1-10

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• RENDERING INFRASTRUCTURE IN ANIMATION EDUCATION: A QUALITATIVE CASE STUDY OF SUSTAINABLE RENDER FARM IMPLEMENTATION AT THE UNIVERSITY OF EDUCATION, WINNEBA

  Emmanuel Rock Nyarko Hanson

  11-27

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• CREATING LIVELIHOODS THROUGH ‘BRASSBANDSHIP’ IN GHANA

  George Asabre Maclean

  28-38

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• FROM SYMBOLIC TO EMPIRICAL: CONFIRMATORY FACTOR ANALYSIS OF INDIGENOUS KNOWLEDGE INTEGRATION SYSTEM INTO GHANAIAN BASIC EDUCATION CURRICULUM FOR SUSTAINABLE FUTURES

  Hillia Fuseini Marifah Marifah, Harry Barton Essel, Akos Tachie-Menson

  39-59

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• ART-THERAPY-INFORMED POTENTIALS OF SELECTED INDIGENOUS ASANTE VISUAL ARTWORKS

  Kennedy Asenso

  60-74

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• OUTDOOR SCULPTURES AS SYMBOLS OF IDENTITY AND SOURCE FOR HISTORICAL DOCUMENTATION: REFLECTION ON FIVE SELECTED SCULPTURES IN SOME TOWNS IN YORUBALAND, SOUTHWESTERN NIGERIA

  Samson Kehinde Adekoya, Habib Korede Olowu

  75-91

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• THE IMPACT OF ENVIRONMENTAL FACTORS ON POTTERY PRODUCTION IN GHANA: A PERSPECTIVE STUDY OF INDUSTRY SUSTAINABILITY AND THE JUST ENERGY TRANSITION

  Mercy Abaka-Attah, John Benjamin Kofi Aidoo, Emmanuel Kobina Payne

  92-119

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• BEYOND THE HERBS: THE ROLE OF ARTS AND CULTURE IN TRADITIONAL HEALING PRACTICES AMONG THE SISSALA PEOPLE IN THE UPPER WEST REGION OF GHANA

  Babaaradio Kombui , Dickson Adom, Steve Kquofi

  120-144

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• THE TRAVELLED PATH OF GHANAIAN WOOD FURNITURE AESTHETICS: FROM THE NINETEENTH CENTURY TO THE TWENTY-FIRST CENTURY

  Samuel Awuni, Steve Kquofi, Dickson Adom

  145-156

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• FRAMING THE SACRED: SAFEGUARDING THE CULTURAL MATERIALITY IN THE VISUAL ETHNOGRAPHY OF THE ABAM NAMING RITE AMONG THE FANTE OF GHANA

  Betty Faniyan, Kwabena Nduro, David Nana Amoah Mensah, Keren Happuch Zoe, Ebenezer Moses Debrah

  168-194

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• REFRAMING WASTE AT ABURI COMMUNITY, GHANA: ART AS A RESPONSE TO URBAN CONSUMERISM

  Samuel Prophask Asamoah, Dickson Adom, Steve Kquofi

  195-217

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• CULTURAL PERFORMANCE PRACTICES OF AKAN FOLK GAMES ACROSS THREE GHANAIAN COMMUNITIES

  Isaac Asare-Aboagye, Dickson Adom, Steve Kquofi

  261-277

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• TRADITIONAL CRAFT DEMONSTRATION AS A CATALYST FOR EXTENDED MUSEUM ENGAGEMENT AND EXPERIENCE: A CASE OF THE MANHYIA PALACE MUSEUM

  Adwoa Serwaa Appiah, Dickson Adom, Steve Kquofi, George Buma Ampratwum, John K Brewu

  278-311

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• THE ABSENT MIRROR: DISABILITY REPRESENTATION IN KENYAN DRAMA AND THEATRE FESTIVALS

  Josephat Nehemia Nyangoga

  312-324

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• KIDENDA SANKOFAISM AND HUMAN CAPITAL DEVELOPMENT IN KENYA’S JUA KALI SECTOR

  Mary Clare Kidenda

  346-357

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• CHARACTERISING LEATHER OFFCUTS AS CREATIVE MATERIALS FOR SUSTAINABLE AFRICAN VISUAL ART

  Albert Kwame Arthur, Kwame Fordjour Owusu

  358-376

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