Vol. 8 No. 3 (2025): Journal of African Arts and Culture

Published: 2025-10-01

Articles

AESTHETICS OF THE RAMPAGEOUS BODY: INVESTIGATING BODY IDOLISATION AMONG GHANAIAN YOUTH

Patrique deGraft-Yankson, Joseph Essuman

1-14
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BEYOND VANDALISM: ANALYSING GRAFFITI AS VISUAL COMMUNICATION AND CULTURAL COMMENTARY AT KNUST

Isaac Essah Adu , Nicholas Opoku, Samuel Osei Sarpong

15-30
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ANALYTICAL PRESENTATION OF SAMUEL DOWAANA MENSAH’S “TOONDAN JILMA LANA NAA OSEI TUTU II” (OTUMFUO OSEI TUTU II – A GLORIOUS LEADER)

Elizabeth Asamoah

31-42
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THE INFLUENCE OF SELF-EFFICACY ON CHILDREN’S DRAWING IN GHANA

Sumaila Issah

43-52
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MUSIC, DANCE AND LANGUAGE AS THE PRIMARY ELEMENTS OF FUNERARY RITES FOR CHIEFS: A CASE STUDY OF THE CHIEF OF NEW JUABEN

Benjamin Amakye-Boateng, Adwoa Arhine, Joshua Alfred Amuah, Kofi Agyekum

53-70
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THE LINGUISTIC AND POETIC ANALYSIS OF GA TRADITIONAL MUSIC

Nii Darku Ofori-Obeng Dodoo

71-79
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GENDERED TRAJECTORIES IN GRAPHIC DESIGN AND ANIMATION: REASSESSING THE ROLE AND REPRESENTATION OF WOMEN IN THE CREATIVE INDUSTRY IN GHANA

Solace Emefa Adzei

80-89
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FROM RESISTANCE TO RENEWAL: FRAMING THE NEW GENERATION OF AFRICAN INDIGENOUS LANGUAGE FILMS AS SIXTH CINEMA

Ramatu Mustapha Dadzie

90-105
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ON SUPPRESSION AND COUNTER-ACCUSATIONS: THE VENERATION OF TRADITIONAL GHANAIAN MONUMENTS FROM THE CREATIVE ARTIST'S VIEW

Noble Nkrumah-Abraham, Ernest Kwasi Amponsah

106-115
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“MISE GLI LOO”: ILLUSTRATIONS FROM THE MUSICAL FABLE SELF-SERVING, PREDICATED ON THE MUSICO-DRAMATIC GENRE OF STORYTELLING

Wisdom Komabu

116-130
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MY DANCING REFLECTS YOUR TEACHING: AN AUTOBIOGRAPHICAL EXPLORATION OF AFRICAN DANCE PEDAGOGY

Kofi Anthonio

131-141
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EXPLORING THE INFLUENCES OF INDIGENOUS CULTURAL PRACTICES ON TRADITIONAL NIGERIAN THEATRE DESIGN

Abdulmalik Adakole Amali, Adebayo John Badeji

142-152
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CONTEMPORARY ART SONGS FOR SELECTED GHANAIAN LANGUAGES: COMPOSITION AND ANALYSIS

Godfred Sackey

153-201
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SYMBIOTIC RELATIONSHIP BETWEEN LIVE THEATRE AND THE OTHER MEDIA: A METAPHOR OF THE EPIPHYTE

Baba Haruna

202-213
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